By Joe Jackson
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Additional info for A Cure for Gravity: A Musical Pilgrimage
My scarf was ruined, but the violin escaped with just a couple sf scratches. I ne-r saw the hardnuts again. For all I how, they may have grown up to be model citkens. "hey're the politicians who rail against government support for the arts. They're the businessmen who think that only money can measure the worth of things. They're the critic33 who write mean-spirieed hatehet jobs, and: they're the parents who thinlt that scfiools should teach notking but the skiUs that will get their kids a job.
Y torn k w e e n the mo, and I w a s aghast. Nowadays. I'm a baseball fan, but sports, at that time, were something for me to define myseff asinst. Tom, alnottxerboy X hung around with, had another d e n t beyond my comprehension. He knew how to pick up girls. He was handsome and confident, and gorgeous nymphets flocked to him. m e t h e r he really got beyond dllmsy groping with any of them, I'U never how, but I envied him with a burning fury. Or perhaps, like Sherlock Holmes or Batman, he needed a sidekick to reflect his glory I bumped into Torn, more than m n t y yea*rslater, in a Southsea pub.
Not that the happiness and the pomp and circumstance were false, but that the sadness was always there, in a delicate balance with it. It suddenly seemed to me unbearably poignant. And I knew that no one else would understand. And no one could, or ever vvill. W e n music hits you like this, it cuts through logic and soars like a pole-vaulter over the walls of your rational mind. It reaches you in a visceral way that is unique to your own experience, No M ~ Opeople hear the same music. Now that 12rnolder, and hardened, and a clever bastard, E still find Exodus a good Nne, if a bit senfimental.
A Cure for Gravity: A Musical Pilgrimage by Joe Jackson