By Donald Spoto
The actress Teresa Wright (1918–2005) lived a wealthy, advanced, marvelous existence opposed to the backdrop of golden age Hollywood, Broadway and tv. there has been no indication, from her astonishingly difficult—indeed, horrifying—childhood, of the good fortune that might stick to, nor of the common acclaim and admiration that observed her all over the place. Her marriages—to the writers Niven Busch (The Postman regularly jewelry Twice; Duel within the Sun) and Robert Anderson (Tea and Sympathy; I by no means Sang for My Father)—provide a great deal of the drama, heat, poignancy and heartbreak of her existence story.
“I by no means desired to be a star,” she instructed the famous biographer Donald Spoto at dinner in 1978. “I sought after in basic terms to be an actress.” She begun performing on the degree in summer time inventory and repertory on the age of eighteen. while Thornton Wilder and Jed Harris observed her in an ingénue function, she used to be selected to understudy the a part of Emily within the unique creation of Our Town (1938), which she then performed in traveling productions. Samuel Goldwyn observed her first starring function on Broadway—in the ancient construction of Life with Father—and without delay he provided her a protracted contract.
She used to be the one actress to be nominated for an Academy Award for her first 3 photographs (The Little Foxes; The satisfaction of the Yankees; and Mrs. Miniver), and she or he received for the 3rd movie. motion picture enthusiasts and students to at the present time recognize her functionality within the classics Shadow of a Doubt and The top Years of Our Lives. The situations of her tenure at Goldwyn, and the drama of her breaking that agreement, endlessly replaced the remedy of stars.
Wright’s family members and heirs appointed Spoto as her approved biographer and provided him unique entry to her letters and papers. significant assisting avid gamers during this tale comprise Robert Anderson, Alfred Hitchcock, William Wyler, Karl Malden, Elia Kazan, Jean Simmons, Dorothy McGuire, Bette Davis, George Cukor, Marlon Brando, George C. Scott, the artist Al Hirschfeld, Stella Adler, and extra.
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Additional info for A Girl's Got To Breathe: The Life of Teresa Wright
Declining the limousine Goldwyn had ordered to meet her at the New York Municipal Airport (later LaGuardia Field), she hopped into Jean Barrere’s waiting jalopy and went 1939–1941 41 straight to the Empire Theatre. And that, it seems, was the last time Jean and Teresa met, a separation due to their respective professional plans. Whether this friendship was ever romantic cannot be determined; the couple may have been just amiable colleagues and companions during this brief period of time. Then and later, Teresa never mentioned him, but her silence implies nothing.
One afternoon on the playing field, she was struck on the face by an errant croquet mallet. Two teachers rushed her, bleeding and weeping, to a doctor. ” they cried. ” 18 1918–1935 At the age of ten, she appeared (on June 3, 1929) in a colorful Rose Haven pageant; she sang a lyric poem called “Blue Birds” and acted in the school play, a fantasy called Butterfly Wings. The following year, she took piano lessons at Rose Haven and joined classmate Betty Powell for a simplified Diabelli duet at a school assembly; she also performed in three tableaux.
These two met during rehearsals, fell in love and lived as a devoted couple for fifty-one years. Like Dorothy McGuire and Doro Merande, Tom and Bill had long and distinguished careers on Broadway, in films and on television. S Muriel’s new job required her to join the actors’ union, and so she applied for membership in the Actors’ Equity Association. On October 18, she paid a $26 initiation fee, valid until her twenty-first birthday a year later, when the dues would increase. The receipt from Actors’ Equity was written to Muriel Wright.
A Girl's Got To Breathe: The Life of Teresa Wright by Donald Spoto